(9) Intensive
Intensive design is a commonly used method of organizing drawing surfaces. The basic shape can be freely distributed throughout the composition and has sparse density. The most sparse or densest place often becomes the visual focus of the entire design. Creates a visual tension in the drawing, like a magnetic field, with a sense of rhythm. Intensiveness is also a contrasting situation. The number of arrays of basic shapes is used to generate dense, virtual, and tight contrast effects.
Dense classification:
1. Intensity of points: In the design, a conceptual point is placed at a certain point on the composition. The basic shape in the organization arrangement tends to be dense at this point. The closer to this point, the denser and farther away from this point.
2. Line density: There is a conceptual line in the composition, the basic shape is dense to this line, the densest position is on the line, and the more distant the line is, the more basic the shape is.
3. Freedom and intensive: In the composition, the basic form of the organization is not densely constrained by points or lines, is completely free to spread, there is no law, the basic form of the density of change is more subtle.
4. Crowding and alienation: Crowding is over-intensive, and all basic forms are a congested state in the overall composition, occupying the entire space, and there are no sparse places. In contrast to alienation and intensiveness, the basic shape of the entire composition is alienated from each other and scattered in every corner. The spread can be uniform or uneven.
It should be noted that in the intensive effect processing, the area of ​​the basic shape must be small and the number must be large in order to have a dense effect. The shape of the basic shape may be the same or similar, and there may be some variations in size and direction. In an intensive structure, it is important to have a dense organization of basic forms. There must be a tendency of tension and movement, and it is impossible to organize dispersal.
Dense effect appreciation
(to be continued)
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