It is so proud of Fenix ​​flashlight once again appeared in the Hollywood movie

The official sequel to the classic pseudo-documentary horror movie “Witch Blair” was released in North America on September 16th. It was directed by Adam Weinjaed and produced and distributed by Lions Gate Films. The film had related media reports before release. It is the biggest dark horse in Hollywood this summer, and the result is that the rave reviews come out of the blue.



"Blair Witch" US official poster


So, you want to ask: Does anyone have a relationship with Fenix? Good question, here is the answer!


The horror film is often shot in a darker and more circumstantial environment. Witch Blair is no exception. Then, choosing a good lighting device is especially important. Recently, the Wall Street Journal columnist Mike Ayers wrote an article about the thriller sequel "Witch Blair" film director Adam Wingard and video cameraman Robby Baumgartner chose Fenix ​​PD35 to provide illumination for the dark environment in the film, and Fenix ​​PD35 How to be an excellent article.


<The following article was written for reporter Mike Ayers>


In "Blair Witch," the present-day sequel to the 1999 low-budget horror breakout "The Blair Witch Project," viewers are once again taken on a "found-footage" romp through the backwoodsof Burkittsville, Md., in search of the Supernatural entity of the title. Over the course of 90 minutes, six characters find themselves invarious states of panic and terror. Most of the action takes place in the pitch dark, which gives way to an unsung hero of the “Blair Witch” resurrection: The Fenix PD35 flashlight.


"Witches Blair" is a modern sequel to a successful low-cost horror movie "The Blair Witch Project" in 1999. In the new movie, the audience is once again taken to the barren woodland in Burkittsville, Maryland for the movie title. This supernatural creature. The film lasted 90 minutes. Six of the actors said that they experienced different levels of fear during shooting. Since most of the film's plot was shot in a dark environment, it created excellent shooting conditions for the unsung hero of the film - that is, the Fenix ​​PD35 flashlight.



This LED light, which retails from $75 to $139.95, depending on the type of battery youget, was an integral part in bringing “Blair Witch” to life — and a tricky one,too. Director Adam Wingard and cinematographer RobbyBaumgartner tested close to 20 different Flashlights beforesettling on the Fenix ​​PD35.


The retail price of this LED flashlight varies from $75 to $139.95, depending on the battery used. It can be said that this flashlight plays an indispensable role in the film. At the same time, it is also a test of technology. After the director Adam Wingard and the film photographer Robby Baumgartner tested nearly 20 different flashlights, the Fenix ​​PD35 was finally selected.


"We had to go through a ton ofdifferent flashlights and brands until we found one that didn't create agreed on flicker [on the camera lens], so we had a clear image,” Wingardsays.


“After reviewing a large number of different brands of flashlights, we finally found a flashlight that meets our requirements. It will not produce flashing light on the lens like other flashlights, so that we can produce a clear picture,” Wingard told us.



"Witch Blair" Character Uses Fenix ​​PD35


"Blair Witch" was shot on location in32 days near Vancouver, British Columbia. Baumgartner estimatesthat 25 days were shot at night, with more than 80% of those nights lit onscreen by the Fenix ​​model. The flashlights, thus served a dual purpose: toilluminate The shots, but also be a part of the narrative since the charactersbrought them into the woods as camping tools.


Witch Blair filmed for 32 days and was filmed in Vancouver, British Columbia. Baumgartner told us about 25 shooting days are in the evening, and 80% of the lighting effects produced on the screen are from Fenix ​​products.



Fragment of Fenix ​​PD35 in Part of Witches Blair


"With actors essentially lighting the background, they and each other, it was paramount to get this right or the film would look like shit,” Baumgartner says. “It took a bit of trial and error to figure out how to make the best of a tricky cinematic Situation.”


“Because in the film, the actor itself can produce certain lighting for the background, self, and other characters, it is especially important to handle the overall lighting effect of the whole picture, otherwise the whole movie will be very bad.” Baumgartner said, “after some trials and After the mistake we can know how to make the best movie."


"I've seen actors that have been able to pick this up right away, I've seen actors that get Annoyed with it. You'reconstantly telling them not just to shine here and there, but sometimes you'relighting up your fellow actor that's standing next to you."


Baumgartner and Wingard will first spend time telling the actors how to use the flashlight. "Not everyone will use a flashlight," Wingard said. "I've seen some actors get started right away. I also saw some actors who were impatient with this stuff. You kept telling them not to hold hands. The photo was taken everywhere, so sometimes I would take care of the actors around me."


The filmmakers also developed on-settricks to help illuminate scenes. Baumgartner created a vest-type cloth that the actors would wear off camera and would help the on-camera actorknow where to point the light.


The filmmaker himself invented a lighting trick at the shooting scene. As long as the actor outside the lens wore a vest jacket, the actor inside the lens knew where to point the camera.


“We had a week of rehearsals before,because the shooting style was so different,” says Wes Robinson, whoplays Lane in the film. “It felt really raw and creative. It didn't feel likeyou're making a studio film.”


“Because this film was shot in a special way, we have a week’s rehearsal time before.” Wes Robinson, who played Lane in the film, said, “The shooting method is innovative, so I have no experience and I don’t feel like filming".


Wingard says the original “BlairWitch” cameras “could barely handle shooting at nighttime,” but that, in fact,helped create a realistic feel that grabbed audiences. “If you go back andwatch that film, you can see that they are barely getting any Exposure, which is actually scary in itself,” the director says. “It makes you feellike there's more darkness around you and feels realistic for the experience ofbeing out in the woods.”


Wingard told us, “This innovative Blair Witch movie can only be filmed at night,” but this is actually more conducive to creating a real feeling to attract the audience. “If you fall back and watch this movie, you will The horror fragments were all just bones, but they were actually scary at the shooting scene." The director said, "shooting in the forest outside will make people think that nights will be extra dark and people I feel more real."


Screened SimonBarrett, who worked with Wingard in the past on "V/H/S" and "The Guest," says he put notes into the script About what he envisioned. “Usually Itried to indicate in the script what I saw lighting the scene,” Barrett says.


In addition to playing an important role in the shooting scene, Fenix ​​PD35 also successfully appeared in the screenplay. Simon Barrett, the screenplay writer of this film, had previously worked with Wingard on "V/H/S" and "The Guest." He commented on what he saw and heard in the screenplay. He said, "I often play in the script. Pointed out the lighting effects I saw.”


For Fenix, this isn't the first timethe trusty PD35 has been featured onscreen. The flashlight has made appearancesin “The Walking Dead,” “The Blacklist,” “Prometheus” and the latest “TeenageMutant Ninja Turtles” film. It's the company's best -selling flashlightand is used in a wide-range of professions, from law enforcement to janitorialservices. According to Fenix ​​vice president of sales, Patrick Cooper,they've never been paid a sponsorship fee or product-placement fee for amovie.
"The thing that we're really proud of is that we don't promote it and they find us,” Cooper says.


For Fenix, the PD35 star product is not the first time it has appeared on a movie screen. This flashlight appeared in previous "The Walking Dead", "Blacklist", "Prometheus" and "Ninja Turtle". As a company's best-selling flashlight, it has a wide range of applications, from law enforcement agencies to the field of cleaning services, all use this flashlight. Patrick Cooper, a Fenix ​​distributor, told us that they have never provided any sponsorship for any movie. "What's most proud is that we have never taken the initiative to find a movie to promote. Instead, they actively find us," Cooper said.


In fact, in the Fenix ​​family, there have been more than PD35s who have participated in the Hollywood blockbusters and they are known as “showbiz”. For example, Fenix ​​TK45 has won the favor of many Hollywood directors and participated in many large-scale films with its unique sci-fi form. Filming: The Last Day on Mars, Prometheus (Prometheus), Fringe (Edge of Crisis), etc.


Fenix ​​TK series flashlight inherits the design concept of TANK, the king of land warfare. With its high brightness, long range, strong and reliable characteristics, it fully meets the special needs of hunting, search, military patrol, law enforcement and other tasks. In addition to TK45, its series The next products, TK15, TK35, TK41, TK70, are also popular with science fiction and action film directors.



TK35 Arrow



TK15 Overheard


Fenix ​​is ​​able to make its appearance on all major screens frequently. Apart from the products that Fenix ​​has built with professional and dedicated spirit, it is inseparable from everyone's support and love for 15 years. Therefore, you may wish to host more, if your "eye of Venus" in other films also found Fenix ​​figure, welcome screenshots, photographs, video and then harass Xiaobian it!

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